Tuesday, August 19, 2008

Book Update and The WDW Radio Show

I received the following book as a birthday present from Brian at Magical Aperture.



It is one of my favorite vacation collectibles (besides ties and mugs). Each year, Disney puts out two (and sometimes three) different versions of their Pictorial Souvenir. Usually it is a large format, hardbound book (think 9" x 11") and a smaller paperback book. As part of the 100 Years of Magic Celebration, Disney released a larger-format paperback with a much nicer binding. I have the larger hardbound book, but not the paperback. These books are a definite purchase for every vacationer. It is a great way to look back at trips from long ago!



This week, on the WDW Radio Show, Lou has an amazing interview with Disney Legend Richard Sherman about the Sherman Brother's unbelievable career. They briefly discuss the book Walt's Time - From Before to Beyond. It is an amazing look at their music. You can read my review here.

Walt's Time - From Before to Beyond


As a small gift to everyone out there, click on the image below to see a higher-quality scan of the art from the cover of the book. It would make a great poster!




Sunday, August 17, 2008

Book Review: Walt Disney Nine Old Men & the Art of Animation by John Canemaker

Walt Disney's Nine Old Men & the Art of Animation by John Canemaker. 2001, 308 pages.

Walt Disney's Nine Old Men is the first book to take an in-depth look at the artists that shaped the Walt Disney Studios before and after Walt's passing. The Nine Old Men reference relates to Franklin Roosevelt's description of the Supreme Court Justices--Walt used it as a joke and it stuck. The Nine Old Men would become the most creative and powerful people at the Studios. The litany of characters that they have brought to life is simply astounding.

John Canemaker is an animation historian, animator and professor of film animation at New York University's Tisch School of the Arts. He is a very successful author with seven books (three just about Disney animation) and 100's of essays and articles to his name. Mr. Canemaker is also noted for several award-winning short films.

Mr. Canemaker begins the book with a look at the Nine Old Men's formative years: Snow White and the Seven Dwarfs. Most of the Nine Old Men were hired at the Studios in the mid-1930's. Before them, were legendary men that were mentors and friends to the new artists. Vladmir Tytla, Grim Natwick, Norman Ferguson, Hamilton Luske and Fred Moore were put in charge of various departments and sections of Snow White. As time progressed, many of the Nine Old Men were mentored by these animation pioneers. For many reasons, the previously mentioned animators left Disney or found they could not keep up with the younger crowd. Mr. Canemaker touches on the influential animator's lives throughout the chapters on the Nine Old Men.

Disney's Nine Old Men:

  • Les Clark,
  • Wolfgang Reitherman,
  • Eric Larson,
  • Ward Kimbal,
  • Milt Kahl,
  • Frank Thomas,
  • Ollie Johnston
  • John Lounsberry, and
  • Marc Davis.

Mr. Canemaker devotes a chapter to each animator and takes you from their birth to the present day (in 2001) or their passing--he has created a condensed biography and Mr. Canemaker successfully brings the important details to the top that seem relevant to the creation of the animators. You follow each artist from their birth, early family life, school, travels and eventual beginnings at Disney. All of the Nine Old Men stayed with the Disney organization until their retirement They were also faithful to the Studio during the Strike. Undoubtedly, this cemented Walt's opinion of them. Family photographs, animated film stills and corporate images fill the volume. Mr. Canemaker shares a lot of great anecdotes about the artists. Did you know that Ward Kimball attended over 22 schools growing up and that Marc Davis' family traveled the country, rarely settling in one place for more than a few months? Wolfgang Reitherman was a pilot in World War II and claims that he was only a director because Walt told him to be one.

Throughout each chapter, Mr. Canemaker shares what makes each animator so important to the Disney Studios and animation. As you go through the chapters, you see each animator as a different personality to the whole. Each one distinct and filling a specific role within the Studios. After the Animation Strike, the Nine Old Men were charged with being the review committee for the Studios. A film couldn't be made without their direct involvement and an artist could be fired at their whim. After Walt's passing, the Nine Old Men were the creative force and were often left stumbling as to the direction to be taken at the Studio.

As expected, a majority of the book does focus on animation. Marc Davis was really the only one of the Nine Old Men asked to work on the Disneyland Project. The book does cover that section of Marc's career; starting with the Mine Train Through Nature's Wonderland in 1962, the World's Fair attractions, Pirates of the Caribbean and the Haunted Mansion. Ward Kimball is mentioned in conjunction with Disneyland through his shared loved of trains with Walt. This book truly shines as a mini-biography of the Nine Old Men and how they moved the art of animation forward.

Bottom Line: This is a book that I highly recommend for animation enthusiasts and people interested in the Disney Studios formative years. It brings together information about the early years of the Studio and the roles of the Nine Old Men in animation, the Studio and the Company--unlike any other resource. Most of the book does deal with animation and the classic characters that were created but it does focus on the theme parks with Marc Davis and Ward Kimball's contributions.

You want this book if you have any interest in learning more about the Nine Old Men and their art.



Friday, August 15, 2008

Geek-End Update, Saturday, August 16, 2008


Thursday, August 14, 2008

The S.S. Nautilus

20,000 Leagues Under The Sea was released in 1954. Just as Walt was heavily involved in planning and constructing Disneyland. At the same time, the United States Navy had commissioned the USS Nautilus--the world's first nuclear-powered submarine

At the time, this could be considered a huge publicity coup (for a lack of a better term) for the film. The U.S.A was in the grips of the Cold War and nuclear power was seen as the future and the end of the future at the same time. There was some fear and consternation about a nuclear-powered submarine cruising the oceans of the world. Also, in the film adaption, it appears as if Captain Nemo's Nautilus is a nuclear powered sub, as well. The fact that the USS Nautilus was patrolling the world's seas and Captain Nemo's submarine shared the same name obviously had some commercial tie-in--before there was a lot of commercial tie-in.

Since the U.S Navy had christened the ship the Nautilus, it was an easy tie-in to the film. Both were discussed fairly often in the media outlets. The submarine was the sixth naval vessel to bear the name Nautilus and it is the fourth submarine with the name. The movie was Disney's highest grossing film to date. 20,000 Leagues Under The Sea was also Disney's first film to use CinemaScope. CinemaScope is an anamorphic widescreen format that was first used in 1953. It still influences most modern films.

Fast forward to Disneyland 1959 and we have the premier of the New Tomorrowland! The Submarine Voyage, the Matterhorn Bobsleds, the re-vamped Autopia, the Monorail and the Motor Boat Cruise all premiered that summer. The Submarine Voyage ran until 1998. It re-opened 9 years later as The Finding Nemo Submarine Voyage. The original 1959 attraction also paralleled the real USS Nautilus' voyage to the North Pole.

The original submarines ran from 1959 to 1986:

  • 301 Nautilus
  • 302 Seawolf
  • 303 Skate
  • 304 Skipjack
  • 305 Triton
  • 306 George Washington
  • 307 Patrick Henry
  • 308 Ethan Allen


Walt Disney helps to christen the Nautilus for the Submarine Voyage at Disneyland, 1959
(Image courtesy of Daveland).



The 20,ooo Leagues attraction opened at the Magic Kingdom at Walt Disney World in 1971 and operated until 1994. A direct descendant of the Submarine Voyage, but this time you relive Captain Nemo's voyage from the film--even though it is very much the same ride as the Submarine Voyage from Disneyland. One difference from the Disneyland attraction was that at the Magic Kingdom, each sub was the Nautilus, from Harper Goff's original designs for the film.

You can read more about the Magic Kingdom's 20,000 Leagues over at the always amazing Widen Your World.

Thanks to Daveland for providing the vintage Disneyland photo. If you aren't a regular reader of his blog, you should be!








Wednesday, August 13, 2008

DVD Update

Walt Disney Treasures - Mickey Mouse in Living Color, Volume Two (1939 - Today) arrived as one of my Disney-related birthday presents.

You bringing the popcorn?



Tuesday, August 12, 2008

Build Your Own Castle

The Fall 1996 issue of Disney Magazine was dedicated to celebrating the 25th Anniversary of Walt Disney World. The articles included: Walt & Roy (looking at how Walt Disney World was Roy's final tribute to Walt); Walt Disney World in Pictures; The Fathers of Invention (the six that worked to get Walt Disney World open); 25 Ways to Celebrate; and Test Your Walt Disney World Knowledge (Lou?).

The Walt Disney World in Pictures article also includes a special gift from the Imagineers--a Cinderella Castle poster! Of course, this version was modeled on the architectural renderings from 1969, not the 25th Anniversary Birthday Cake design.

Click on the image for a larger version.


Enjoy! If you happen to build your own castle, drop us a line!

Sunday, August 10, 2008

Book Review: Building a Company

Building A Company: Roy O. Disney and the Creation of an Entertainment Empire by Bob Thomas. 1998, 359 pages.

I read Bob Thomas' biography of Walt many years ago and it is one of my favorites. In 1998, Thomas published Building A Company, a look at the lesser-known half of the Disney Empire.

Roy's life started out simple enough and even as a young teenager, he was taking care of Walt and helping him with his dreams. This would be a consistent pattern throughout his life. Even after Walt passed, Roy postponed his retirement to see that the Walt Disney World project would be completed. He worked tirelessly to get Walt's dream as close as possible. He felt he needed to take the mantle of creative and financial lead for the Company; that no one else would be able to follow through.

This was a biography that was a long time coming. Every Disney Geek worth their salt understands how important Roy was to Walt. Without big brother Roy, we wouldn't have the Disney Company as we know it today. Walt has been quoted as saying that without Roy, he would probably be in jail for check bouncing.

This biography brings Roy's life to the forefront and paints a picture of a man that truly loved and understood his brother. Walt was always seen as the creative genius and Roy as the money man. After reading this biography, I can assure you that Roy was just as creative as Walt. Roy just used numbers, balance sheets and common sense. Thomas is able to share a Roy that was extremely ethical and treated all business partnerships with respect.

Building A Company is a very enjoyable read. Bob Thomas has written several other Disney-related titles and he was a reporter for the Associated Press for more than 50 years. As with any biography, you need to take bits and pieces with a grain of salt. Sometimes it reflects poorly on the biographer and sometimes with the prior research (and researchers). I didn't run across anything glaring, but after doing some of my own research, I did see some inconsistencies across several biographies. It just serves to remind us that not every biography is conclusive, exhaustive or authoritative. Bob Thomas does take us a on a journey through Roy's life, allowing us a glimpse of a strong man who always did what was in the best interest of the Company, even if he was at odds with Walt. Nonetheless, it is still the most complete look at Roy Disney's life to date.

Bottom Line: This is a book that everyone should read. You can learn a lot about Roy Disney by reading everything about the Company, or you can just read this book. (Although, I will recommend that you read everything!) You will appreciate this biography more if you have read Thomas' Walt Disney: An American Original or Barrier's The Animated Man: A Life of Walt Disney. Not that Building A Company is a companion piece, but Thomas spends more time focusing on Roy's contributions and a larger familiarity with the Disney Company will benefit the reader. This is a great read. It should be read by every Disney enthusiast.



Friday, August 8, 2008

Geek-End Update, Saturday, August 9, 2008



Thursday, August 7, 2008

Book Update: Mickey Mouse

Walt Disney's Mickey Mouse: His Life and Times was delivered last week.

It is a biographical look at Mickey's life, up until 1986 (the book's publication date). Brian Sibley and Richard Holliss are the authors.

It looks like a great read. Plenty of stills, artwork and a section on making Mickey move! Fromthe cover, you would think it was a juvenile tite, but it is geared towards adults.


Tuesday, August 5, 2008

The GAF Picture Trail

If you've been paying attention to my posts, you know that I really like the Kodak Photo Spots located around the parks.

I shared some Walt Disney World spots here and some Disneyland spots here. We even had a Disneyland Paris spot!


My wife found this 1974 Walt Disney World Information Guide (Winter/Spring 1974) on Ebay a while ago. She knows about my love of picture spots and the description mentioned a photo trail. When it arrived, we noticed the middle spread was a GAF Photo Trail map.


GAF was the Official Film of Walt Disney World (and Disneyland) for most of the 1970's. Kodak was an original Disneyland sponsor until GAF took over in 1970. Polaroid has also been an official film sponsor, too!

GAF describes the Photo Trail:

Follow the GAF Photo Trail for outstanding scenic pictures in the Magic Kingdom. The picture spots on the map have been carefully researched and selected as the best locations for taking memorable pictures. Each spot has been marked by a Photo Trail sign providing useful information for colorful and exciting movies and still pictures. Photo Trail spots have been located at the hotels and other scenic areas around Walt Disney World. Watch for the blue picture spot signs.
So, does anyone out there have any pictures of the GAF Photo Trail picture spots?

Sunday, August 3, 2008

Mickey Mousing

The Mouse Machine, by J.P. Telotte, discusses the technology that the Disney Company has used, since its inception, to differentiate its art and attract people to its product. In the following quote, Telotte looks at how sound changed cartoons forever--and our relationship to cartoons.


Supposedly coined by David O. Selznick, the term [mickey mousing] describes "the close synchronization of music to action", such that the action is continually punctuated by a specific musical tempo or motif. Sometimes seen as an unfortunate influence of the exaggerations found in the early Mickey cartoons, the term is typically used pejoratively, to suggest overscoring and a pointedly manipulative or intrusive use of the soundtrack that violates the reality illusion. However, that effect most commonly works in conjunction with realistic sound effects--and, in fact, it largely gained that negative implication because of this conjunction and the rather difficult narrative negotiation it imposes on the audience. It is, consequently, also in some ways the essence, perhaps even the glory of the early Mickey Mouse and Silly Symphony cartoons, because of the way it suggests the very spirit that moves in them. For "mickey mousing" shows us how the world of these films adapts itself to sound, moves to the beat of the new sound environment, finds its full aural/musical potential, thanks to the energetic intervention of the mouse or some other figure or force.
--p. 29, The Mouse Machine: Disney and Technology
Looking at cartoons across the years, mickey mousing has taken hold and is one of the ways that we relate to the characters and one way the artists create their own reality. Make sure to keep your ears open the next time you get the chance to see an animated short from the 1930's through the 1950's.

Friday, August 1, 2008

Geek-End Update, Saturday August 2, 2008